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Ten / Sync


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Tutti-Soli 12:56
Sparge 12:09


released April 15, 2021

This is our orchestra's 8th publication and 10th anniversary. Forced by the current situation, it was recorded in three separated moments, with smaller groups and reassembled altogether. We must admit, this process was not fully satisfying. Being an orchestra means much more than music to us.

Fortunately, the technical set-up fades away to make the room for Insub Meta Orchestra's music and its actual concerns that one can hear on Ten / Sync.

Three pieces with specific approaches, dealing with masses, silences, logics, metronomy, diversities, subtles colors or textures changes, and even a tiny fragment from Gesualdo.

Anna-Kaisa Meklin (viola da gamba)
Antoine Läng (voice)
Brice Catherin (cello)
Bruno Crochet (electronic)
Christian Müller (clarinet)
Christian Neff (violin)
Christoph Schiller (spinet)
Christophe Berthet (saxophone)
Clara de Asís (guitar)
Cyril Bondi (drums, conduction)
d’incise (organ, electronic)
Eric Ruffing (analog synth)
Fred Minner (bass)
Ivan Verda (guitar)
Jamasp Jhabvala (violin)
Léa Moulet (violin)
Loïc Grobety (double bass)
Luc Müller (drums, percussions)
Mara Winter (flutes)
Maxime Hänsenberger (drums, percussions)
Raphaël Ortis (electronic)
Raphaël Raccuia (guitar)
Rodolphe Loubatière (drums, harmonium)
Sandra Weiss (bassoon)
Steve Buchanan (saxophone)
Tassos Tataroglou (trumpet)
Teresa Hackel (recorders)
Thomas Peter (electronic)
Violeta Motta (traverso)
Vinz Vonlanthen (guitar)
Yukari (flute)

Pieces and direction by
Cyril Bondi & d'incise

Recorded at Insub.studio in three groups/times, september 2020, mixed by d'incise.

with the support of Pro Helvetia, Nicati - De Luze, Ville de Genève et Ville de Lausanne
"There is indeed something orchestral going on here, especially in the first two pieces, with some excellent clustered tones, and what seems to be field recordings (but, so I thought in 'Tutti-soli' (all solo?), this could just as well be the instruments doing imitations of field recordings), while in 'Sparge' there is a slow drama being played, in what sounds that could also be a funeral march. The last and longest piece is 'A La Denzler', which starts with a hi-hat sound and throughout the piece, various groups of instruments fading in and out of the mix, while the steady tick on various parts of the drum kit remains. This creates an odd atmosphere of a real-time collage of instruments in a start/stop motion fashion, which is both loose and fascinating to hear. Whatever the concept is
behind these three compositions, or even if they share a common ground, the music is very good. " (FdW)


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INSUB records Genève, Switzerland

INSUB. is a label, an orchesta, a concert organiser, and a recording studio based in Geneva, CH.
It is acting in the field of experimental improvised & composed music.

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