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1.
Contenir 11:10
2.
Renfermer 07:26
3.
Comprendre 07:27

about

Sébastien Bouhana : percussions & whistling
Christophe Berthet : soprano saxophone & bass clarinet
Raphaël Ortis : electric bass, percussions & objects

Composed & recorded by Raphaël Ortis, at Insub.studio, Geneva, 2019 Mix & mastering by Raphaël Ortis

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Arm Twist Ropwalk Legdrop - ATRL - is a wrestling aerial catch. Injuries are frequent, its use sometimes dangerous.

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" INCLUSIO "

Inclusion is linked to the way one has to think about a context or a situation so that it can accommodate the greatest number of people taking into account the largest number of features.

It is the idea that exclusion comes from structural and contextual limits. We are out of standard according to a standard. The standard defines the “difference” and makes a singularity visible.

One of the possible "out-of-standard" processes is to: 1. to contain oneself 2. to withdraw into oneself 3. to understand.

By understanding that it is not them who are out of the norm but the context that reveals their "abnormality", the out-of-standard free themselves from it. It’s precisely the back-and-forth that we are in as musicians nowadays, and not only in music actually. To be a musician is to work within abnormality, in a perpetual back-and-forth between a praxis identified as particular and a context that allows the artist to exist only under specific requirements.

The whistling from the third track, "understanding", is a call for calm and understanding, comprising echoes from the past, the memories of what we have lived to achieve greater clarity.

- Raphaël Ortis

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" INCLUSIO "

L’inclusion est liée à la manière que l’on a de réfléchir un contexte ou une situation de manière à ce qu’elle puisse accueillir le plus grand nombre en prenant en compte le plus de particularités.

C’est l’idée que l’exclusion vient des limites structurelles et contextuelles. On est hors normes en fonction d’une norme. La norme définit la « différence » et rend une particularité visible.

Un des processus possibles du « hors normes » c’est de : 1. se contenir 2. se renfermer 3. comprendre.

En comprenant que ce n’est pas lui.elle qui est hors normes mais le contexte qui révèle son « anormalité », le hors normes s’affranchit de la première. C’est précisément les aller-retours que nous faisons en tant que musicien.ne à l’heure actuelle, mais pas que dans la musique d’ailleurs. Être musicien.ne c’est travailler dans l’anormalité, dans un aller-retour perpétuel entre une pratique identifiée comme particulière par un contexte qui ne permet à l’artiste d’y exister qu’à certaines conditions.

Le sifflement du troisième titre, comprendre, appelle au calme et à la compréhension, intègre les rappels du passé, la mémoire de ce qu’on a vécu pour arriver à plus de clarté.

- Raphaël Ortis

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credits

released June 4, 2020

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INSUB records Genève, Switzerland

INSUB. covers the fields of experimental, electroacoustic, improvised & composed musics.
The Records section releases vinyls (and maybe k7s) albums, after a period (2013-2016) of experimentation with a prints+dl format.
The netlabel offers free download for every releases, but some are however available in classical physical format (cd, cdr, LP).
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